Feature Reviews

Feature Reviews

Our latest feature reviews, which cover the very best new books.

Feature Reviews VOLUME 5

A Silence of Mockingbirds – Karen Spears Zacharias [Review]

I knew two things about the subject of Karen Spears Zacharias’ new book A Silence of Mockingbirds: The Memoir of a Murder going in: it was about the brutal murder of an innocent child, and this murder was preventable. This wasn’t going to be light reading, but I knew it was necessary. Especially as a former educator, I felt the weight of responsibility to see signs of abuse others had missed. This wouldn’t be pleasant, but hopefully it would be informative and in that sense, redemptive.

Feature Reviews VOLUME 5

The Sea is My Brother – Jack Kerouac [Feature Review]

In the church, in life, one cannot dismiss a person for being less formally educated, nor can naivety be cause for scorn. For those reasons, the novel would be a decent read for those who want to think about and be challenged about the roles of theoretical education and practical application in the church. However, The Sea is My Brother would not be a good introduction to Jack Kerouac and his writing style.

Feature Reviews VOLUME 5

Forming Christian Habits in Post-Christendom [Feature Review]

Like most weddings (and births, anniversaries, retirements, and funerals), Forming Christian Habits in Post-Christendom is a great experience for those already familiar with the honorees. For someone hooked by Alan and Eleanor’s 2011 Worship and Mission After Christendom, Krabill and Muray’s edited volume helps the reader get to know the Kreiders better. But, also like a festive gathering, Forming Christian Habits in Post-Christendom welcomes new acquaintances, introducing them person by person, essay by essay to the Kreiders’ life and vision. This has been my path. Turning the last page, I’m eager to join my voice to the conversation.

Feature Reviews VOLUME 5

Gil Scott-Heron – The Last Holiday [Feature Review]

Although Gil Scott-Heron is often called “the godfather of rap,” he never wanted that title. Like contemporary rap artists, he spoke biting social commentary, repeating refrains for emphasis, but his performances showcased the musicality of the spoken word, set against an ensemble of bluesmen. Scott-Heron considered himself a “bluesologist,” a verbal Coltrane of poetry, percussion and politics.