“The Landrail”
John Clare
(1793-1864)
How sweet and pleasant grows the way
Through summer time again
While Landrails call from day to day
Amid the grass and grain
We hear it in the weeding time
When knee deep waves the corn
We hear it in the summers prime
Through meadows night and morn
And now I hear it in the grass
That grows as sweet again
And let a minutes notice pass
And now tis in the grain
Tis like a fancy everywhere
A sort of living doubt
We know tis something but it neer
Will blab the secret out
If heard in close or meadow plots
It flies if we pursue
But follows if we notice not
The close and meadow through
Boys know the note of many a bird
In their birdnesting bounds
But when the landrails noise is heard
They wonder at the sounds
They look in every tuft of grass
Thats in their rambles met
They peep in every bush they pass
And none the wiser get
And still they hear the craiking sound
And still they wonder why
It surely cant be under ground
Nor is it in the sky
And yet tis heard in every vale
An undiscovered song
And makes a pleasant wonder tale
For all the summer long
The shepherd whistles through his hands
And starts with many a whoop
His busy dog across the lands
In hopes to fright it up
Tis still a minutes length or more
Till dogs are off and gone
Then sings and louder than before
But keeps the secret on
Yet accident will often meet
The nest within its way
And weeders when they weed the wheat
Discover where they lay
And mowers on the meadow lea
Chance on their noisy guest
And wonder what the bird can be
That lays without a nest
In simple holes that birds will rake
When dusting on the ground
They drop their eggs of curious make
Deep blotched and nearly round
A mystery still to men and boys
Who know not where they lay
And guess it but a summer noise
Among the meadow hay
My sense, as though of hemlock I had drunk,
Or emptied some dull opiate to the drains
One minute past, and Lethe-wards had sunk:
‘Tis not through envy of thy happy lot,
But being too happy in thine happiness, –
That thou, light-winged Dryad of the trees,
In some melodious plot
Of beechen green and shadows numberless,
Singest of summer in full-throated ease.
O, for a draught of vintage! that hath been
Cool’d a long age in the deep-delved earth,
Tasting of Flora and the country green,
Dance, and Provençal song, and sunburnt mirth!
O for a beaker full of the warm South,
Full of the true, the blushful Hippocrene,
With beaded bubbles winking at the brim,
And purple-stained mouth;
That I might drink, and leave the world unseen,
And with thee fade away into the forest dim:
Fade far away, dissolve, and quite forget
What thou among the leaves hast never known,
The weariness, the fever, and the fret
Here, where men sit and hear each other groan;
Where palsy shakes a few, sad, last gray hairs,
Where youth grows pale, and spectre-thin, and dies;
Where but to think is to be full of sorrow
And leaden-eyed despairs,
Where Beauty cannot keep her lustrous eyes,
Or new Love pine at them beyond to-morrow.
Away! away! for I will fly to thee,
Not charioted by Bacchus and his pards,
But on the viewless wings of Poesy,
Though the dull brain perplexes and retards:
Already with thee! tender is the night,
And haply the Queen-Moon is on her throne,
Cluster’d around by all her starry Fays;
But here there is no light,
Save what from heaven is with the breezes blown
Through verdurous glooms and winding mossy ways.
I cannot see what flowers are at my feet,
Nor what soft incense hangs upon the boughs,
But, in embalmed darkness, guess each sweet
Wherewith the seasonable month endows
The grass, the thicket, and the fruit-tree wild;
White hawthorn, and the pastoral eglantine;
Fast fading violets cover’d up in leaves;
And mid-May’s eldest child,
The coming musk-rose, full of dewy wine,
The murmurous haunt of flies on summer eves.
Darkling I listen; and, for many a time
I have been half in love with easeful Death,
Call’d him soft names in many a mused rhyme,
To take into the air my quiet breath;
Now more than ever seems it rich to die,
To cease upon the midnight with no pain,
While thou art pouring forth thy soul abroad
In such an ecstasy!
Still wouldst thou sing, and I have ears in vain –
To thy high requiem become a sod.
Thou wast not born for death, immortal Bird!
No hungry generations tread thee down;
The voice I hear this passing night was heard
In ancient days by emperor and clown:
Perhaps the self-same song that found a path
Through the sad heart of Ruth, when, sick for home,
She stood in tears amid the alien corn;
The same that oft-times hath
Charm’d magic casements, opening on the foam
Of perilous seas, in faery lands forlorn.
Forlorn! the very word is like a bell
To toll me back from thee to my sole self!
Adieu! the fancy cannot cheat so well
As she is fam’d to do, deceiving elf.
Adieu! adieu! thy plaintive anthem fades
Past the near meadows, over the still stream,
Up the hill-side; and now ’tis buried deep
In the next valley-glades:
Was it a vision, or a waking dream?
Fled is that music: – Do I wake or sleep?
C. Christopher Smith is the founding editor of The Englewood Review of Books. He is also author of a number of books, including most recently How the Body of Christ Talks: Recovering the Practice of Conversation in the Church (Brazos Press, 2019). Connect with him online at: C-Christopher-Smith.com
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