Excellent New Fiction Books for the Third Quarter of 2026 !!!
Here are some excellent new novels that were released this quarter:
Contact us, and we’ll talk about the possibility of a review.
John Green
(Dutton)
“In the author’s anguished portrait of modern fame, the most challenging performance is that of an authentic self.” ―The New York Times
For rising talents Kai Laramie and Juniper Castillo, being cast in the buzzy biopic Andy Warhol Never Gets Old is the opportunity they’ve both been waiting for. They’re on the verge of breaking out, and maybe even falling in love. Soon, the movie is blowing up, and so are their lives—in exciting, but also terrifying, ways.
John Green artfully blends a behind-the-scenes Hollywood love story with an unflinching examination of the insatiable attention economy. Told through dual points of view, the novel brilliantly juxtaposes the on-screen study of Warhol’s life at the dawn of celebrity culture with the intimate struggles of two young people figuring out who they are, both together and alone.
Tender, heartbreaking, and shrewdly funny, this is a story as only Green can tell it. Hollywood, Ending is a deeply observed novel about the tension between a public and a private life, and the audacity to pursue the kind of love we all deserve.
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Colson Whitehead
(Doubleday)
1981. New York City is beginning to emerge from financial ruin and decline, energized by rampant real estate development and a Wall Street unchained by Reagan-era predatory capitalism. Up in Harlem, successful business owner/master fence Ray Carney has just been named Sterling Furniture’s Dealer of the Month. When the banks won’t give his beloved wife Elizabeth a loan for her new travel agency, however, Carney gambles on one last heist, and finds himself entangled with a legendary criminal mastermind.
1983. To some, Carney’s friend and partner in crime, Pepper, is a stone-cold sociopath. To others, a top thief with questionable people skills. Either way, he’s feeling his age in his troubled gut and his aching bones. When he takes on a bodyguard gig as a favor to Elizabeth, he’s plunged into the alien territory of the East Village art and club scene. Luckily for him, whether you’re uptown or down, everyone speaks the same language of violence—Pepper is a native speaker.
1986. Carney has always been haunted by his inability to save his cousin Freddie. Now, twenty years after Freddie’s death, he has a chance to rescue Freddie’s son from the violent forces of the city. But coming out of retirement and teaming up with Pepper again will mean risking the safety and security he’s spent decades building for his family, with only one shot to get it right.
With his usual pitch-perfect prose, Whitehead paints a portrait of a city in transition, where shimmering skyscrapers rise to the heavens as displaced people huddle in abandoned tunnels below. In a dazzling display of protean imagination, Cool Machine roves all over the city, from Windows on the World to the Meadowlands, to show that in New York, and in the lives of Whitehead’s vivid characters, it’s what’s below the surface that reveals the truth.
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