New Fiction November 2023 !!! Here are some excellent new novels (and one book of stories) that will be released this month:
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From the Ernest J. Gaines Award-winning author of Everywhere You Don’t Belong, a touching, timely novel—called a “tour de force” by Kaitlyn Greenidge (Libertie) and “wry and astonishing” by Publishers Weekly—about an attempt to found an underground utopia and the interwoven stories of those drawn to it.
An abandoned restaurant on a hill off the highway in Western Massachusetts doesn’t look like much. But to Rio, a young Black woman bereft after the loss of her newborn child, this hill becomes more than a safe haven—it becomes a place to start over. She convinces her husband to help her construct a society underground, somewhere safe, somewhere everyone can feel loved, wanted, and accepted, where the children learn actual history, where everyone has an equal shot.
She locates a Benefactor and soon their utopia begins to take shape. Two unhoused men hear about it and immediately begin their journey by bus from Chicago to get there. A young and disillusioned journalist stumbles upon it and wants in. And a former soccer player, having lost his footing in society, is persuaded to check it out too. But no matter how much these people all yearn for meaning and a sanctuary from the existential dread of life above the surface, what happens if this new society can’t actually work? What then?
From one of the most exciting new literary voices out there, The New Naturals is fresh and deeply perceptive, capturing the absurdity of life in the 21st century, for readers of Paul Beatty’s The Sellout and Jennifer Egan’s The Candy House. In this remarkable feat of imagination, Bump shows us that, ultimately, it is our love for and connection to each other that will save us.
Pier Paolo Pasolini
This tale about seduction, obsession, family, and the confines of capitalism is one of director Pier Paolo Pasolini’s most fascinating creations, based on his transcendent film of the same name.
Theorem is the most enigmatic of Pier Paolo Pasolini’s four novels. The book started as a poem and took shape both as a work of fiction and a film, also called Theorem, released the same year. In short prose chapters interspersed with stark passages of poetry, Pasolini tells a story of transfiguration and trauma.
To the suburban mansion of a prosperous Milanese businessman comes a mysterious and beautiful young man who invites himself to stay. From the beginning he exercises a strange fascination on the inhabitants of the house, and soon everyone, from the busy father to the frustrated mother, from the yearning daughter to the weak-willed son to the housemaid from the country, has fallen in love with him. Then, as mysteriously as he appeared, the infatuating young man departs. How will these people he has touched so deeply do without him? Is there a passage out of the spiritual desert of modern capitalism into a new awakening, both of the senses and of the soul? Only questions remain at the end of a book that is at once a bedroom comedy, a political novel, and a religious parable.
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