Ten Theology Books to Watch For – December 2020

Winsome Conviction: Disagreeing Without Dividing the Church

Tim Muehlhoff and Richard Langer

IVP Books

We generally assume that those sitting around us in church share our beliefs. But when our personal convictions are contested by fellow Christians, everything changes. We feel attacked from behind. When other Christians doubt or deny our convictions, we don’t experience it as a mere difference of opinion, but as a violation of an unspoken agreement. Tim Muehlhoff and Rick Langer offer a guide to help Christians navigate disagreements with one another. In today’s polarized context, Christians often have committed, biblical rationales for very different positions. How do we discern between core biblical convictions and secondary issues? How do we cultivate better understanding and compassion for those we disagree with? Muehlhoff and Langer provide lessons from conflict theory and church history on how to avoid the dangers of groupthink and how to negotiate differing biblical convictions to avoid church splits and repair interpersonal ruptures. Christian unity is possible. Discover how we can navigate differences by speaking in both truth and love.

 

Arvo Pärt: Sounding the Sacred

Peter C. Bouteneff, Jeffers Engelhardt, Robert Saler, Eds.

Fordham UP

cholarly writing on the music of Arvo Pärt is situated primarily in the fields of musicology, cultural and media studies, and, more recently, in terms of theology/spirituality. Arvo Pärt: Sounding the Sacred focuses on the representational dimensions of Pärt’s music (including the trope of silence), writing and listening past the fact that its storied effects and affects are carried first and foremost as vibrations through air, impressing themselves on the human body. In response, this ambitiously interdisciplinary volume asks: What of sound and materiality as embodiments of the sacred, as historically specific artifacts, and as elements of creation deeply linked to the human sensorium in Pärt studies? In taking up these questions, the book “de-Platonizes” Pärt studies by demystifying the notion of a single “Pärt sound.” It offers innovative, critical analyses of the historical contexts of Pärt’s experimentation, medievalism, and diverse creative work; it re-sounds the acoustic, theological, and representational grounds of silence in Pärt’s music; it listens with critical openness to the intersections of theology, sacred texts, and spirituality in Pärt’s music; and it positions sensing, performing bodies at the center of musical experience. Building on the conventional score-, biography-, and media-based approaches, this volume reframes Pärt studies around the materiality of sound, its sacredness, and its embodied resonances within secular spaces.

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