A Review of
Nothing but Love in God’s Water: Black Sacred Music from the Civil War to the Civil Rights Movement
Review by Sam Edgin
At the end of his introduction to Nothing but Love in God’s Water: Black Sacred Music from the Civil War to the Civil Rights Movement, the book’s author, Robert Darden, uses a quote from a former slave to wrap together the themes of intensity, adaptability, community, and especially rhythm and religion that he says beat within black sacred music. The slave, remembering the songs of his childhood, says that the “…weird and mysterious music of the religious ceremonies moved young and old alike in a frenzy of religious fervor.” These spiritual songs, paired to a religion that stood on the side of the oppressed and promised a better world, fueled what Darden calls a “movement” (emphasis his) that spanned generations and changed the world.