Archives For Arts


[easyazon_image align=”left” height=”333″ identifier=”0801099579″ locale=”US” src=”” tag=”douloschristo-20″ width=”221″]Sounding the Note that
Enables Human Creativity to Sound
A Feature Review of

A Peculiar Orthodoxy: Reflections
on Theology and the Arts

Jeremy Begbie

Hardback: Baker Academic, 2018
Buy Now:  [ [easyazon_link identifier=”0801099579″ locale=”US” tag=”douloschristo-20″]Amazon[/easyazon_link] ]  [ [easyazon_link identifier=”B07932Q3ZR” locale=”US” tag=”douloschristo-20″]Kindle[/easyazon_link] ]
Review by Danielle Davey Stulac
I first encountered the theological thought of Jeremy Begbie not through printed words, but through vibrating strings. In the chapel of my seminary, I and many others listened, rapt, as Begbie sounded the middle C on the grand piano, and then silently depressed the C an octave higher. To our surprise, we heard not only the middle C, but also the quiet vibration of the higher C. The second string sounded, as Begbie explained, by “sympathetic resonance” with the first. In other words, the sounding of the first C enabled the second note to sound. “How might this phenomenon,” Begbie asked, “help us to think about God?” He went on to observe that in visual models of perception, two bodies cannot occupy the same space. (We cannot see red and yellow in the same space without them blending into orange.) Therefore, equipped only with visual perceptual categories, it is difficult for us to conceive God’s three-in-oneness, or Christ’s two natures, or the co-existence of divine and human agency. But, a simple perceptual shift from visual to aural metaphors can render the classic conundrums of theological thought into pseudo-problems. As a young seminary student (and life-long pianist) contending with these aporias, the implications of this perceptual shift struck me like a hammer on a piano string.

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 [easyazon_image align=”left” height=”333″ identifier=”0830850678″ locale=”US” src=”” tag=”douloschristo-20″ width=”222″] One of this week’s best new book releases!

Jennifer Allen Craft argues that the arts are a significant form of placemaking in the Christian life. The arts, she contends, place us in time, space, and community in ways that encourage us to be fully and imaginatively present in a variety of contexts: the natural world, our homes, our worshiping communities, and society. In so doing, the arts call us to pay attention to the world around us and invite us to engage in responsible practices in those places. 


We’re giving away THREE copies
of this excellent new book:


Placemaking and the Arts:
Cultivating the Christian Life
Jennifer Allen Craft

Paperback: IVP Academic, 2018


Enter now to win a copy of this book (It’s as easy as 1, 2, 3!) :
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Here are a few new book releases from this week that are worth checking out:

(Where possible, we have also tried to include a review/interview related to the book…)

  [easyazon_image align=”center” height=”500″ identifier=”0801099579″ locale=”US” src=”” tag=”douloschristo-20″ width=”331″]

[easyazon_link identifier=”0801099579″ locale=”US” tag=”douloschristo-20″]A Peculiar Orthodoxy: Reflections on Theology and the Arts[/easyazon_link] 

Jeremy Begbie

*** READ the Introduction to this book…
   (via Google Books)


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Over the course of last year, I set aside a number of books that I wanted to read because I knew that they would make significant contributions to public conversations, but I knew that they would require some time and effort to read carefully and well.

I’m hoping to read a number of these 10 books over the coming year…

By ERB Editor, C. Christopher Smith

(In alphabetical order by author’s last name…)


[easyazon_image align=”center” height=”500″ identifier=”0830850643″ locale=”US” src=”” tag=”douloschristo-20″ width=”333″]

[easyazon_link identifier=”0830850643″ locale=”US” tag=”douloschristo-20″]The Faithful Artist: A Vision for Evangelicalism and the Arts[/easyazon_link]

Cameron Anderson

Paperback, IVP Academic

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[easyazon_image add_to_cart=”default” align=”left” asin=”1610979222″ cloaking=”default” height=”333″ localization=”default” locale=”US” nofollow=”default” new_window=”default” src=”” tag=”douloschristo-20″ width=”220″ alt=”Tikkun Olam” ]An Act of Hope

A Review of

Tikkun Olam—To Mend the World: A Confluence of Theology and the Arts,
Jason Goroncy, Editor

Paperback: Wipf and Stock, 2013
Buy now:  [ [easyazon_link asin=”1610979222″ locale=”US” new_window=”default” nofollow=”default” tag=”douloschristo-20″ add_to_cart=”default” cloaking=”default” localization=”default” popups=”default”]Amazon[/easyazon_link] ]   [ [easyazon_link asin=”B00I4C4D18″ locale=”US” new_window=”default” nofollow=”default” tag=”douloschristo-20″ add_to_cart=”default” cloaking=”default” localization=”default” popups=”default”]Kindle[/easyazon_link] ]

Reviewed by Rachelle Eaton
Tikkun Olam—To Mend the World: A Confluence of Theology and the Arts, edited by Jason A. Goroncy, is a collection of papers that grew out of a symposium and art exhibit on the same theme. Tikkun olam, literally the healing of the world, is an idea from the Jewish tradition which the contributors explore, in Goroncy’s words, as “both a confession that things are not right with the world, and an act of hope that things might be bettered, or even made new.” The book provides not a comprehensive overview but a sampler of the variety of work being done in Christian theology and the arts as this confession and hope.

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A Brief Review of

Annie Dillard and
the Word Made Flesh:
An Incarnational Theory of Language
Colleen Warren.
Hardback: Lehigh University Press, 2010.
Buy now: [ Amazon ]

Reviewed by Chris Smith.

Since my intial engagements with her work in my Senior English class in high school, Annie Dillard has long been one of my favorite writers, and I especially appreciate the themes of faith that emerge as she engages the world around her in her non-fiction writings.  So, I was delighted to hear that Lehigh University Press published the new book Annie Dillard and the Word Made Flesh: An Incarnational Theory of Language by Colleen Warren.  This project, as Warren admits in the introduction, is a peculiar one, weaving strands of literary criticism and theology, but not fitting neatly into either of these categories.  The backbone of Warren’s argument here is comprised of four of Dillard’s convictions that, taken together, comprise an “incarnational theory of language”:

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29 Page Excerpt from
Cathleen Falsani’s
The Dude Abides: The Gospel According to the Coen Brothers.
Zondervan 2009
Buy now: [ ]